Rory and I are in Maine for a few days with the Decorative Arts Trust
Monday, September 21, 2015
Oh, someone is being waggish, I thought, on seeing shelves of books, spines to the wall! But it seems not – shaming books has made the big time if only around here. First it was karate-chapping pillows into submission, now it's books being given time-out– we've been 'ere before, thought I.
But no, for it seems in my rush to find fault I misunderstood the purpose behind what I saw. The writer of the magazine article explains that "The massive Donald Sultan painting commands attention in the family room, where bookshelves provide an architectural and decorative frame to the impactful piece." Though the books themselves are not mentioned, it is clear their role is nothing more than filler in a larger and admittedly beautiful scheme by a good decorator. In fact, they are nothing more than accessories – frankly, white boxes would have done the job just as well. As an aside, I wish people might see the symbolism in what they create for there is a subtext to be understood, be it intentionally written or not.
What one might consider "accessories" have personal significance. The clock. bought as a souvenir of our time in Amsterdam, and the candlesticks were resoluut afgeprijsd in a small shop in the Kerkstraat behind where we lived. The bottle, by Janet Darnell Leach, wife of Bernard has long been treasured
For me, even the term "accessories" in the context of interior decoration is laughably wrong even though we all use it – it grates in the way "disinterested" is used when "uninterested" would have been correct. Decorators talk about the final layer that pulls it all together or the jewelry of a room, decorette/bloggers take up the refrain and before we know it, there are whole industries geared to producing objets each lacking any charm beyond the glamour loaned by the designer/celebrity name attached to it. Without that borrowed glamour, resin or faux-shagreen is just plastic.
If one looks at synonyms for "accessories," perhaps the most positive is "adornments," with "embellishments" a close second with negativity already implicit. "Doodads" and "trimmings" take it downhill and at "bells and whistles" the bottom is reached. Nonetheless, "accessory" is accepted and you'd think we all know what we mean by it – but I'm not sure we do. Not being one to give in to my feelings of distaste, let me just say that if the equating of decoration with fashion is not as glib as it might seem, then the advice, allegedly given by Coco Chanel “Before you leave the house, look in the mirror and take one thing off" applies equally well to accessorizing a room. Mind you, taking something off, in today's fashion world, might mean … well, it hardly bears thinking about.
The marble bowls were bought thirty years ago in de Bijenkorf, Amsterdam. The shallow, wider one meant for fruit, the other for bulbs, they have stayed the way they were packed to cross the Atlantic. They look better on the carpet which will return from the cleaner when Barny is full-grown and the room is re-done.
The Indian coverlet is, I hope, a temporary catch-all for dog, dog toys, dog hair, chewing-thingies, and anything that Barny seems to like to accessorize with - socks, shoes, coat hangers, and me.
On any given day our living room floor, now bare of its carpet, is strewn with Barny's things. I won't call them accessories (even though they are temporary) because they are necessary to his mental survival, the continued health of his new teeth and the delicacy of my toes. The latter, because he announces his desire to play by nibbling my toes and if I'm not quick enough off the sofa … you get the picture. The piece of antler apparently is kinder to teeth than rawhide yet to me it feels like stone and is often to be found in one of the Indian marble bowls we bought thirty-odd years ago in Amsterdam. The green velvet dinosaur is used (Barny marches it around in his mouth rhythmically hitting the floor with the squeaker) to announce we've spent too long at dinner and evening playtime should commence. Tennis balls, for my sanity and for the sake of the objects which are personal and, perhaps in more ways than one, valuable, are now inaccessible under cabinets – the image of a whippet flinging itself into the air to catch a ball but inches from candlesticks was not to be borne.
I see, dad, I get, I see, I want, I want, I want,
Beautiful, probably not, but significant, certainly, to us. They stood on the cake at the party our friends gave us after we got married.
The red pot we bought impulsively. Inexpensive and perfectly placed, to my eye, lighting up an alcove – complementary color highlighted with gold, mirror and lucite, glowing most days in the full light of the rising sun. I notice, as I look at the photograph, its lines echo those of the table beneath it, whilst the legs of the table mirror the legs of the Meiji bronze crab (my zodiac is Cancer) in the foreground, which in their turn referred to in the cabriole legs of the chair – the whole summarized by the exuberant 1940s rococo framed mural. But it would be altogether too designerish to point out that completely fortuitous juxtaposition, don't you think?
This is about as near as I've come to creating a "tablescape." On the drinks table in the dining room, it was short-lived for once Barny took to investigating it all had to be put away. Lovely idea, tablescaping, if you have time, money and fatuity for it but it does rather beg the question of why you would do it. (I'm still working on that one with Macbeth's "…it is a tale told by an idiot, full of sound and fury, signifying nothing" hovering over my shoulder). The Royal Copenhagen leaping frog, "found" one day in a closet with a "Oh, I'd forgotten about this" is a delight (the Celt has always loved frogs).
The best accessories for a room are temporary, should have a scent and likely do not come from a supermarket. Grow your own, or steal from a churchyard, if you have to.
After ten years of compromise and a lot of use, the room is in need of rethinking, reupholstering, repainting, etc. It's tired and all three of us finally accept it. The significant objects will be included – the bronze Thai pilgrim will probably stand on a plinth somewhere but the framed map (a copy) in the hall is likely to go.
Friday, September 11, 2015
A surprising (to me) forty seven days ago, I wrote "back soon" at the head of the blog and here I am at the end of summer, after a four-week bout of bronchitis and an outbreak of shingles that I, at first, thought were multiple spider bites from walking Barny in the trees surrounding the duckpond. There's been a lot of time to give thought to … well, just stuff like a new bathroom, redecorating the living room, sending the carpet to be cleaned of whippet tracks, life, love and happiness, and what seems to be the senescence of blogging and the success of its peregrinating and bewitching kin, Instagram.
As I coughed my way through the awful humidity and the noise of construction seemingly as endemic and unceasing as that of insects and traffic, Barny chomped on dried duck poop (not eaten in this family, as I reminded him, for generations), and held relentlessly, if variably, to his food-in-food-out regime every couple of hours, drivers halted for ducks at crossings, some lowering their windows to remark "what a pretty pup," or "what kind of dog is that?" joggers ran, friends died or got sick, dogs and their owners said hello, and, one day, the heron, often to be seen at the pond, took magnificent flight, circled and landed high atop the trees over the crossroads.
Out of sorts and worn out during those weeks, I had plenty of time to read and it quickly became clear I was wasting my time with most interior decorating blogs – unless, that is, I was looking for the same sort of information available to me more quickly and interestingly elsewhere. Magazines advertorial does a better job than ever a blog could, whatever the aspirations the blogger may have.
Whereas the overriding tenor of interior design blogland is breathlessly sycophantic, in my opinion, the aesthetic is even worse. Who any longer has any taste other than to endorse a celebrity "design" collaboration? Frankly, if I were to judge by many of the blogs I read, I would say that fashion plays an exclusionary role and conformity rules the day. Some of us rue the day because the implications of this for design, decoration and the environment are appalling.
We do not own any mid-century-modern furniture except a Paul Dunbar bench in the hall and, given the ridiculous prices ($65,000 to-the-trade for a high-backed winged-chair, 1939), its fashionability and copious quantity, it is unlikely we shall have any more of it. It is not just mid-century-modern's popularity that puts me off it – so contrary I'm not – but the rage for it makes me think of a bubble, given that there must have been so much of it manufactured.
Haute couture has its original designers but American (perhaps also European) interior decoration design has been usurped by salesmen and the auction houses. I am of the opinion that whatever the PR people might like us to believe haute décoration, or the knowledge of what residential interior design actually is, has been reduced to nothing more than the marketing of personalities and their wares. Never mind the quality, feel the width.With all that in mind, I'm turning for a while to Europe to see what is going on there. I have a feeling, and it might be nothing more than bias, that the situation there is a little more loose, more original, less hidebound. As I say, I might be biased but, either way, I could learn a lot – I'm so over being bored.
I've already mentioned architect/interior designer Chester Jones five times and he remains my favorite of the designers working in Britain today, thus I do not intend to exclude him in future. Geoffrey Bennison, though long-dead, is also a firm favorite and his work remains utterly up-to-date and is for all to see in Gillian Newberry's excellent book Geoffrey Bennison: Master Decorator (in its second printing). The work of Mlinaric Henry & Zervudachi is pretty terrific as is the work of Tino Zervudachi in his own right. Jean-Louis Denoit, Alberto Pinto, Christian Liagre come to mind but they are all the subject of monographs – it may be that I'm limited to those books alone. We'll see.
The photograph of Barnaby Warboys asleep against my leg as I rest my back on the sofa is about the way a four-month-old whippet pup erupted into
This photograph and accessories are the subject of the next post – unless the creek rises, that is.